* I have decided not to include films from 2009 yet. Also, I reserve the right to change this list at any point.
Well, here it is. My list of best/favorite films of the past decade. After going through every film released this past decade, my first cut consisted of 149 films. Today, I have it down to 20. (I kept animated and foreign films separate, in order to give some bonus picks at the end.)
I have so much to say about this list. First, if a title is not on here, I can only think of two reasons why I it's absent. 1) I haven't seen it yet. 2) It's not one of the tops films that I've seen during the past decade. People will always take offense to list like these, due to certain inclusions/omissions. That is why I hope to be able to discuss whatever issues you have with the list.
I will not rank the films. Many Top 10 lists don't. It can be an impossible task often times.
20 films is not too many, considering how many films have been since Jan. 1, 2000. It's hard enough to pick ten films for a given year, much less for an entire decade.
There are a bunch of other things I want to say or explain. But I've forgotten them. They will come to me later (as they always do).
So, without further ado, here are my top films of the past decade...
(in alphabetical order)
The Assassination of Jesse James by the Coward Robert Ford (2007)
One of the most interesting character studies I've ever seen. Pitt's performance as James gave me chills. So did Affleck's performance but for different reasons altogether (and not of the positive variety.)
I love the style of this film. Roger Deakins does a masterful job as cinematographer, as he usually does. Never before have bleak landscapes looked more dazzling. And if that doesn't do a good enough job setting the mood, the score sure does.
A different kind of western, but one of the best I've seen. The story never felt like it was dragging, despite a running time of 160 minutes. One of the most compelling accounts of America's legendary outlaw.
A Beautiful Mind (2001)
Films rarely have this kind of impact on me. A truly beautiful film, due to its heartbreaking-yet-touching story. My emotions rarely settle when I watch this film.
And one of the main reasons is Russell Crowe. His portrayal of John Nash is one of the best of the past decade. Thank goodness Jennifer Connelly was able to match him. Their scenes together sparkle with a magic and genuineness that is rarely matched on-screen.
James Horner has composed many scores that have been fairly criticized for their similarities. But not here. The score is simply outstanding. "Haunting" may seem too limited a word for it, but it is and that only seems appropriate given the story.
Capote (2005)
Anyone that has seen this film knows of the superb performance of Mr. Hoffman. But I submit Catherine Keener's turn as Harper Lee is the true gem of this movie. Keener's work is so good that I felt rather acquainted with H. Lee, even though she has made very few public appearances or interviews.
Much like Jesse James, Capote's visual style is absolutely fantastic. It's a beautiful film to watch. Capote's relationship with Perry Smith and Dick Hickock was truly unique, and this film does a great job of taking us into their world.
This is a film that left me feeling rather empty as soon as the credits started rolling. But about five minutes later, the emotions started flooding me. The theme of redemption in this story is quite profound.
Casino Royale (2006)
I almost feel like I have to justify this entry more than the others because it's a Bond film. Well, the Bond franchise is my favorite film franchise. I owned every single Bond movie on VHS. (Your welcome, Tim and Ducote family.) And this is my favorite Bond film.
So, favorite title of my favorite film franchise = selection to this list. I mean, this film has tremendous merits that would warrant inclusion on such a list as this. The acting is a great complement to the terrific script. Vesper Lynd (Eva Green), in addition to being my new favorite Bond girl, is one of the classic film characters from this decade.
And there are plenty of others. But I will not bother listing them given my obvious bias. What's the point?
Children of Men (2006)
What can I say? Of all the films on this list, not a single one impressed me more with its overall style, design, look, etc. Emmanuel Lubezki's cinematography is exceptional and absolutely unforgettable. The use of single-shot sequences in this movie remains one of my all-time favorite cinematic experiences.
And what a story. Fascinating. The tension holds you without allowing you a chance to breath. What will happen next? That's the kind of question this film instills in you, from the beginning and all the way to the screen fading to black.
I'm always a sucker for speculative fiction. Maybe that is why I responded so much to the story. Regardless, this is one film you need to see, if only for the visual experience. It is that good.
Gladiator (2000)
*This will not be the only Ridley Scott film on this list. I am not ashamed to say he is one of my favorite directors.
This film is great on many levels. The story (although filled with many historical inaccuracies), the editing of the action sequences, the film's stylish visuals, the score (see "Pirates of the Caribbean" for further proof), etc.
But what sets this film apart from so many others is the quality of the performances from top to bottom. I hated Joaquin Phoenix for years after I saw this film. I quickly realized it is because his work as Commodus is perfect. I've tried to stay away from that word so far, but it applies here. No doubt in my mind. This film is always one of the first to come to mind when I begin to think of my favorites of all-time.
Gosford Park (2001)
Whodunit's are my weak-spot. Even if they weren't, this film would on this list. If you have never seen a Robert Altman film, do yourself a favor and see one ASAP (preferably this one).
The ensemble cast and naturalistic nature of the film are typical of Altman's films. But they are also why this film is so compelling. The characters are so intertwined. The complexity just adds to the charm of the film.
And so does the camera work. I love the moving cameras, because it allows us to enter the story seamlessly. A kind-of holistic approach to filmmaking. It's an entertaining experience that I adore. Every time I see this movie, I never think about what I am missing out on by watching it. This is one of the few movies that effortlessly commands my undivided attention.
Gran Torino (2008)
I'm tempted not to write anything. In my mind, if you've seen this film, no explanation is needed.
First thing that stands out is the writing. Especially the dialogue. Yeah, it may seem like it's not taking itself seriously, but I don't get that feeling. Instead, I see it as proof that Walt Kowalski is in serious need of attitude adjustment (no matter how much he makes us chuckle).
And it is Clint Eastwood as Walt that is the highlight. I couldn't imagine the film with anyone else. He has not lost "it." Despite being nearly 80 years old, Mr. Eastwood continues to make misfits need a change of pants. It's not that he has become limited in his acting, due to roles he has continued to take. It's just that our perception is burned with the indelible image of a man who has perfected a particular craft.
In Bruges (2008)
*This may be the film that I could bring myself to drop from the list for another title. Begrudgingly so, but I could if I wanted.
Colin Farrell and Brendan Gleeson do a wonderful job with terrific material. This films features some of the wittiest and quickest dialogue I've experienced. When it hits overdrive, it can make "Gilmore Girls" seem like "Once Upon a Time in the West." (Not a shot at GG, if you knew my enjoyment of that show.) The story takes off rather unexpectedly, which is a real treat. Nothing contrived about it, though. The scenery of Bruges offers a nice contrast to the main characters and their backgrounds.
The film has some minor flaws, but like another title that is coming up, the positive aspects far outshine them.
Kingdom of Heaven - Director's Cut (2005)
"Wait, more Ridley Scott?" Before you freak out at the inclusion of this film, please make sure you understand the director's cut (DC) is what is being included. I guarantee you if I had never seen the DC, this film would not be listed.
Alas, I have seen it and it is included. Probably because the DC allows this film to reach its maximum potential. Pacing may be an issue early in the film, but the story is phenomenal. And like Scott's other film on this list, the cinematography and music are in a world of their own.
The movie's cast is one of my favorites. If it isn't enough that Jeremy Irons and Liam Neeson are wonderful in this film, then add in Eva Green, Brendan Gleeson, and David Thewlis for an extra dose of awesomeness. The cherry on top, though: Orlando Bloom in the best role of his career. (Yes, I hear your protests, Elizabethtown.)
The Lord of the Rings (2001-03)
Our generation's epic trilogy.
For my purposes, I'm considering the three films together as one title. They were filmed together. Also, if you've ever seen them, you know the first two movies end with the characters continuing on their quests. Maybe if they could stand alone, then I'd not consider them as a whole. But I've never watched the first two films and thought, "Well, I guess I call it a wrap on this story."
What is there for me to say regarding this cinematic landmark? Even if fantasy isn't your thing, you're bound to enjoy these films.
I mean, I haven't addressed this movie like the others. I tried to avoid doing so by explaining why I have them grouped as one. This is simply because I can't imagine a scenario where someone wouldn't include these films on a similar list.
Match Point (2005)
This movie is what I consider a "hidden gem." Despite being directed by Woody Allen, this film flies under radar. And for the life of me, I can't figure out why. Heck, WA himself has claimed that this film "arguably may be the best film that I've made."
This is another one of those movies that keeps you on the edge of your seat throughout. Not that you are rooting for any particular person--that's the beauty of this film: no one has my sympathy. Regardless, it's a thriller with terrific script and cast to match.
The drama is infused by the nuances of certain ordinary situations. Nothing is as it seems. The plot depends on these minor intricacies, though, in a way that beautifully illustrates it's opening monologue. Today, many films seem to lose their way. But do not include Match Point among their number.
Michael Clayton (2007)
Two films from 2007 have dominated recent "best films of the past decade" lists. Neither of them are on here. Why? Perhaps it is because Michael Clayton has taken their spot.
A film with flawless acting? Check
A script that is bordering on perfection? Sure thing
I've mentioned good acting and writing before in previous titles. But few of them can hold a candle to best film of 2007. (Yes, I just said it.) How Tom Wilkinson was snubbed by the Academy, I will never know. Perhaps it's best that way, to prevent my anger from turning into fury.
All I know is this: this film produces one of the few stand-up-and-cheer moments (not necessarily the ending, mind you) that leaves you feeling completely satisfied. My response to this film the first time I saw it was overwhelming.
Mystic River (2003)
Speaking of overwhelming reactions to films...
Yes, another film directed by Clint Eastwood is on here. Get over yourself.
This film is stunning. It's a good-looking film. Powerhouse performances all around. A story that grabs hold of you and never lets you go.
Heard this before?
Yes, because those are elements are good films. And there have been plenty of good films listed so far. I mean, I hope this isn't getting old. In fact, I hope it has the opposite effect. I want you to be thinking, "Man, there were films listed that were proclaimed as great for many of the same reasons. Mystic River is one of 'em? Then I definitely need to check it out." (By the way, you'd be correct in doing so. Mystic River is that good.)
Paris, je t'aime (2006)
For the record, I do not like this film because of all the preconceived romantic notions regarding Paris. From what I've been told by numerous people, such notions are false when compared to the reality of the city.
What I do like about this film, though, is the essence of the stories. Since it's a collection of 18 short films, there seems to be no continuity within this work. There are even a few of the shorts that are just downright bad. But in its entirety, there are too just many marvelous and satisfying moments to ignore.
And there is continuity amongst the 18 films. Just look at the title and the poster... Still can't figure it out? Then, maybe this film isn't for you. For the rest of us, though,--the ones that embrace it without prejudice or a lack of awareness--this film is about as delightful as they come.
Revolutionary Road (2008)
Definitely the film for which I will catch the most flak.
And definitely the film that would most closely resemble the antithesis to Paris, je t'aime.
This is one of the rare breed of films that can be both remarkable and troubling. Breathtaking and heartbreaking. I've never felt more conflicted in my emotions coming out of a movie.
This film has a wonderful style to it. Cinematography, art direction, costumes, it has it all. The music just adds to the tone of the film, helping to evoke an era that is far different from our current one.
Finally, I am convinced that had Heath Ledger not given one of the best screen performances of all-time, Michael Shannon would have easily won the Oscar for Best Supporting Actor for 2008.
Road to Perdition (2002)
I've said it before, and I've definitely echoed the sentiment so far with this list: cinematography and music are two of my favorite aspects of film. I know there is so many others, but these two have the biggest influence on shaping a film for me.
Well, this film is spectacular because of the two reasons listed above. Conrad Hall & Thomas Newman are two of the best at what they do (cinematographer and composer, respectively). What they do with this film is nothing short of arresting.
Throw in a story that deals with the consequences of violence better than 95% of other films that tackle the issue and the result is one of the best films of the past decade. I've heard that Tom Hanks is the modern day Jimmy Stewart--our contemporary "everyman." In Road to Perdition, Tom Hanks puts a new twist on this term and continues to shine as a brilliant actor.
Sideways (2004)
Probably one of the few films that transcends the screen upon which it is being shown. It's not that you are just watching two buddies hit up wine country. As most great films do, you are invited along for the ride.
One reason this film is just so darn good is simply this: as Roger Ebert said, "what happens during the seven days adds up to the best human comedy of the year -- comedy, because it is funny, and human, because it is surprisingly moving."
I could list all the reasons why (excellent writing, superb acting, etc.) this film is "surprisingly moving." But at its most fundamental level, it's about the human heart, or the human condition. This film shows every facet of this heart. With all its flaws and with all its strengths, for better or for worse, it is what drives us the most.
Shopgirl (2005)
Another "hidden gem."
I know this sounds like an excuse for me to take the easy way out, but this film echoes everything said about Sideways. It is all about human relationships and the driving force that is our hearts.
Steve Martin wrote the screenplay, based on his novella of the same name. And what he writes shows tremendous insight into the human condition. That is why this film has its moments that break your heart, regardless of how "sad" they might or might not appear.
This is the type of film that allows you plenty of opportunities to reflect upon the love that you have for yourself and others. If you were only able to see one film from this list, this movie might be the one.
Traffic (2000)
(We've finally made it.)
This is the type of film that interweaves several stories into one cohesive unit: one that not only grabs your attention but also shakes you to the core. But despite such a complex story, it is told with great flair and vision.
Another ensemble cast that absolutely knocks a wonderful script out of the park. With so much emotion, this film feels like a firecracker waiting to go off.
I love the visual style of the film. The graininess reflected the mood of the film very well, as the lives of these characters resemble anything but a clear and smooth path. It's a breath of fresh air when characters and plot are not shaped by the "cookie-cutter" approach. This film succeeds by giving us characters with plenty of jagged edges.
Runners-Up (in no particular order)
- In the Valley of Elah
- 25th Hour
- Good Night, and Good Luck
- The Contender
- The Prestige
- United 93
- Munich
- The Fountain
- Pooh's Heffalump Movie
- The Dark Knight
- Appaloosa
***Please, I'm very interested in your feedback, and I would love to hear/read your comments, thoughts, etc. Positive or negative, the only thing I enjoy more than movies is participating in dialogue about movies.
P.S. Is this list really all that bad?
P.P.S. Bonus selections (top animated film and top foreign films) will be added tomorrow.
